TS Minute 32: (62:00-64:00)
The film's look is based on Technicolor's OZ (Olson-Zacharias) process, which adds three times more silver to the negative film stock, making it milkier without affecting the grain structure. Although the process was tested in pre-production, it wasn't actually used. Instead, its look was mimicked in the digital intermediate process.
THE TIME MACHINE: Klaus Badelt (2002)
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